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NEW YORK + DESTINATION 
est. 2008

twin lens reflex : Mike + Nikki’s film esession

I love that I get to share this with everyone. I’ve been wanting to incorporate film into a session and Mike and Nikki gave me the perfect opportunity when they brought along their twin lens reflex for their engagement shoot. You might not know this about me, but when I studied photography in college I […]

I love that I get to share this with everyone. I’ve been wanting to incorporate film into a session and Mike and Nikki gave me the perfect opportunity when they brought along their twin lens reflex for their engagement shoot. You might not know this about me, but when I studied photography in college I only used film for my work (and I’ll admit digital was just really taking over the scene) so I was fairly resistant to switching over to digital. When I finally made the switch it was a slippery slope and of course with the ease of digital and the complexities of the darkroom I haven’t really gone back. Now I’m looking forward to finding ways to incorporate film back into some sessions, and this was a great place to start.

The tri-x 120 film that was used for these images was sent off to a lab, developed and printed as proofs. I love the different approach film photography brings; the fact that you don’t do any editing on your computer, that the anticipation builds as you wait for the film to return, and the slower pace to which you approach image making. This approach is different from the fast paced impulsive image making process that has become the trademark of digital photography, but I think there are things to learn from both mediums. Experience in both has only made me a better photographer.

Without further ado I invite you to look through a few of the images captured on film. We had one roll, which meant 10 square images and only a few to share with you… which is all part of the romance of film that is coming back and sweeping people off their feet.

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